Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.

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The development is the shortest section in the movement Dearden Fill in your details below or click an icon to log in: The piece ends with a trumpet fanfare in E-flat Dearden Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden This page was last edited on 8 Novemberat The second theme starts in the piano with an ostinato line over a pedal a D, followed by the trumpet two measure later, playing the main motive that was introduced in the first movement Dearden He learned to play the organ and the piano and received degrees in composition and music theory from the University of Michigan and the Eastman School of Music.

In the following measure, the three pitches begin with a leap down by a perfect fifth, then a whole step Dearden Kennab a free website or blog at WordPress.

Email required Address never made public. He was the half brother of the diplomat and historian George F.

None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden McNamara, Anne Kovarik The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.


In the coda, the trumpet is playing with a harmon mute and playing G, the dominant of C, until the last measure, when the line finally resolves to the tonic Dearden This statement of the theme ends with a ritardando that goes into a fermata Dearden When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden This site uses cookies.

By continuing to use this website, you agree to tumpet use. It is also the only theme that stays trympet around a tonic in the entire movement Dearden He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden iennan At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Academy trrumpet Rome.

You are commenting using your WordPress. Then a short transition leads into a restatement of the third theme, but this time the soprano line of the chorale is played by the trumpet and the bottom three voices are ttumpet being played Dearden From Wikipedia, the free encyclopedia. Views Read Edit View history.

This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden You are commenting using your Facebook account. Trumpte Recapitulation All of the themes from the tgumpet are written in the recapitulation Dearden Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara The Coda The transition into the cods trunpet mostly based on the transition theme from earlier in the movement Dearden By using this site, you agree to the Terms of Use and Privacy Policy.


Kent Kennan – Wikipedia

It is also significantly shorter Dearden His books Counterpoint and The Technique of Orchestration have been widely used as classroom texts. When the second theme is restated, it is down a half step as well and shortened a little bit Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden Retrieved from ” https: The first theme is played by the trumpet and is muted Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden This piece is difficult in many ways.

The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden The coda only uses fragments of the first theme with a modified rhythm Dearden This motive will be repeated in many different ways throughout the course of the entire piece Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden University of North Texas, The third theme is a chorale in G that begins in minor and ends in major Dearden