The apparatus: Metapsychological approaches to the impression of reality in cinema. Jean-Louis Baudry. In Philip Rosen (ed.), Narrative, Apparatus, Ideology: A. Jean-Louis Baudry/The Apparatus’. One constantly returns to the scene of the cave: real-effect or impression of reality. Copy, simulacrum, and even simulacrum . Jean-Louis Baudry developed the idea of film as an apparatus, where film is understood not only by content of the film but also with respect to the camera, the .

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Or as Baudry puts it….

Jean-Louis Baudry: apparatus & dispositif

The Fates of Flesh. Baudry begins by describing how when a camera follows a trajectory, jeam-louis becomes trajectory, seizes a moment, becomes a moment. Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy. In Philip Rosen ed.

Jean-Louis Baudry: apparatus & dispositif – ppt video online download

Its mechanics of representation include the camera and editing. This is problematic for two reasons, 1.

Baucry theory maintains that cinema is by nature ideological because its mechanics of representation are ideological and because the films are created to represent reality. In the simplest instance the cinematic apparatus purports to set before the eye and ear realistic images and sounds.


Your email address will not be published. The central position of the spectator within the perspective of the composition is also ideological.

Spectatorship and Apparatus in Early Baudy. However, the technology disguises how that reality is put together frame by frame. The center of this space corresponds with the eye, which corresponds with the subject.

The ideological operations at stake here: And just as no single technology is the immediate precursor to film, the relations hip between film and photography is not simply evolutionary—the advent of cinema did not spell the demise of photography.

However, other film theorists, including Carroll, have argued that conceiving of film as a unique, singular medium is wrong. Aesthetic and Psychology of Cinema. You must be logged in to post a comment.

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Apparatus theory – Wikipedia

Sign in to use this feature. Disturbing elements distance the spectator from the film, allowing her to apprehend its ideological processes? Technological instruments are not neutral or value-free.

As a means for situating film in the broader context of media, and as a means for handling the range of ways that film can be understood as a medium, it will be fruitful to initiate this reference article by making explicit two central definitions of the word. Namely, all the elements of film teh and technology that go into producing a film.


Both, fool the subject the viewer and the self into believing in a continuity, while both occasionally providing glimpses of the actual discontinuity present in the construction. My presentations Profile Feedback Log out.

Do you believe it? Download ppt “Jean-Louis Baudry: The Story of Uncle Josh Told: So what is the importance of this effacement of discontinuity in frames. A repression of the work of signification, giving the false impression that films represent reality transparently, i.

Machinery or technology A spectacle unfolding before the public As a conceptual or philosophical system Rather than a scientific instrument, the cinema is aparatus philosophical machine. Gerry Coulter – – Film-Philosophy 14 2: It is easy to think of photography as the antecedent to film; that the relationship between the two is natural or evolutionary.

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