‘Jealousy’ was one of the first (and the best) novels of the ‘nouveau For Robbe- Grillet readers had become lazy and were used to being. Published in , as the nouveau roman was rising on the Parisian liter- ary scene, Alain Robbe-Grillet’s novel La Jalousie [Jealousy] produced in many of its . Complete summary of Alain Robbe-Grillet’s Jealousy. eNotes plot summaries cover all the significant action of Jealousy.

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To some extent, they’ve been lost in translation. In the French writer Alain Robbe-Grillet set out to write a novel in what he described as nouveau roman style. View all 33 comments. I really didn’t like it and I felt like I should DNF it a lot of times, but I finished it anyway, because it was short.

Look upon it as an Robbe self-assembly novel. The narrator is the husband of a woman referred to only as A. A plot of sorts is cobbled together of a few sparse events: Jealousy is jealoudy hundred forty-page set piece, in which nothing happens and to which there is no resolution.

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Alain Robbe-Grillet and Jealousy | CR

robne There are also a lot of extraneous details about banana trees that were ridiculed in the French press upon the book’s first publication. The whole room is plunged into darkness. Notify me of new comments via email.

I was led to believe that he was peeping from behind the jalousies, perhaps not by any actual textual evidence, but by the title and everything I read leading up to my reading of the text. He died in Caen after succumbing to heart problems Style His writing style has been described as “realist” or “phenomenological” in the Heideggerian sense or “a theory of pure surface.

The head leans to the right, offering the hair more readily to the brush. We’re permitted to sit at the table.

It is a portrait constructed entirely of what our viewpoint pauses to consider, and consider, and consider — over and over, mulling over details, warping each moment slightly over time, as through imperfect glass. The answer, it can pretty easily be inferred from jeaalousy novel’s context, is that it is the master of the house’s glance and memory, his movements and reflections that we are experiencing as he watches his wife, identified only as “A When we read that “it is only at a distance of less than a yard” that the back of A By continuing to use this website, you agree to their use.


Only the centipede dies: What is absent and not described is just as important as what is present and described. Intensely focused, sleekly tangled, it may be his purest work. Please try again later.

Jealousy by Alain Robbe-Grillet

As in his previous The VoyeurRobbe-Grillet can’t resist using bits of the novel to describe or explain its own construction; these are among the few moments at which he betrays humor. Detail, Detail, Detail On the first two pages grilet are given a blueprint of the house, courtyard and surrounding banana trees along with a legend labeling ten different parts of the house. There are prolepses, analepses, loops, and repetitions a process slyly mirrored in the staggering of the plantation cycle through the whole year such that all its phases “occur at the same time every day, and the periodical trivial incidents also repeat themselves simultaneously” –but the time is always “now.

The novel becomes man’s direct experience geillet what surrounds him without his being able to shield himself with a psychology, a metaphysic, or a psychoanalytic method in his combat with the objective world he discovers. Alain Robbe-Grillet I felt this growing unease as I continued to read this book. All the variations, even the humorous ones, have a complex human solidity which shows that the Diabelli waltz is only the starting-point for different forays into significance.

He is a point of observation, his personality only to be guessed at, watching every movement of the other two characters’ actions and events as they flash like moving pictures across the distorting screen of a jealous mind. No sooner has it reached the bottom than it quickly rises again toward the head, where the whole surface of its bristles sinks in before gliding down over the black mass again.

We read the half dozen most significant aspects of his story several times. The lacquered table suddenly turns deep tobbe, like her dress, white floor and the sides of the bathtub. This site uses cookies. The first time that I realize that he is in the frame of the scene being described is when there are two people being observed and a third plate on the table.

What do you mean No?


As she sets a blank leaf on her green blotter, removes her pen’s cap, and bends forward to start writing, one more twist emerges: Fill in your details below or click an icon to log in: Franck, describes the husband in the novel in a sentence that we don’t hear in its entirety, that “ends in ‘take apart’ or ‘take a part’ or ‘break apart’, ‘break a heart’, ‘heart of darkness’, or something of the kind.

Will the emotion unexpressed suddenly become uncontrollable? Almost no emotion is demonstrated throughout the narrative, but the narrative itself is filled with microscopic detail — the angle at which cutlery is arranged on the table, the stains on the wall where millipedes have been squashed, the shape of the nearby banana fields and the number of banana plants in each row, the alignment of hands on the arms of chairs, the dew on a beverage glass.

Jealousy is a fairly easy read by any standards, and for me it became engrossing almost immediately. Yet at the same time it seems like it misses a bigger thing about the world which is that this stuff does get filtered and interpreted and communicated back and forth, and lots of us are just not fundamentally this alone. They’re all about the style and not about the story. What would the servants think?

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‘Jealousy’ by Robbe-Grillet

They are merely articles in motion, describing more or less flattened ellipses in horizontal planes or at slight angles, cutting the elongated cylinder of the lamp at various levels. She has arranged her hair into a low knot whose skillful waves seem about to come undone; some hidden pins must be keeping it firmer than it looks. To find out more, including how to control cookies, see here: The cinematic feel throughout is impossible to ignore.

The silent narrator, who never names himself and whose presence is merely roobbe, e.

Alain Robbe-Grillet was a French writer and filmmaker. Unsourced material may be challenged and removed. As I read further and further, I became increasingly anxious, but cannot come anywhere close to explaining how Robbe-Grill Amazingly written.