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Above all, there were the extraordinary designs created in this period for the various Biennales and Triennales, which Nivola would certainly have seen and which would have given him much to learn from. At the beginning of his career, Nivola was exposed to the formal richness of interiors designed by architects of Italian rationalism, such as Giuseppe Pagano and Edoardo Persico, who taught him at the ISIA in Monza.
He was involved in a large number of projects, and these are presented in the exhibition alongside models for his sculptures and murals, created using sand casting, and are documented as well with a wealth of photographs.
The Investigation of Space The architect and historian Andrea Nulli explains the approach of the current exhibition on Costantino Nivola. Piazza Satta, Nuoro, Sardinia.
Earthenware portraits of the sardinian poet Sebastiano Satta at the Nivola studio in East Hampton, China Germany India Mexico, Central America and Caribbean Sri Lanka Korea icon-camera close icon-comments icon-down-sm icon-download icon-facebook icon-heart icon-heart icon–mobile-logo icon-next-sm icon-next editkrial icon-play icon-plus icon-prev-sm icon-prev Search icon-twitter icon-views icon-instagram.
These Sardinian projects begin with the extraordinary open air exhibition held in Orani in It also, however, puts on show full or partial completions of previously unrealised works, for example the brilliant Monumento a Gramsci and the Cappella del Corpo di Cristo Show-room Olivetti, New York However, the Nivola’s desire for a total involvement with three-dimensional space – which he had from the beginning of the s, the time editofial he began work as a sculptor – emerges even more strongly ediitorial the exhibition currently open in Nuoro.
It succeeds, however, in uncovering a lesser known aspect of Costantino Nivola’s artistic work – the relationship between architecture and the city, on the one hand, and space, on the other. This was a demanding exhibition to put on and required a long period of gestation.
Nivola closely followed the modern architecture scene in the rationalist Editoral of the s – and later in New York – and this undoubtedly helped sharpen his intellectual and artistic curiosity. The exhibition covering the artist’s whole life, which we organised for the Milan Contemporary Art Pavilion inincluded some of the artist’s spatial designs.